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Photo: Fritz Olenberger
. . . it was Whited’s brilliant use of pattern and space in “95 North” that brought palpable cohesion between form and utility, between professional and apprentice, setting the stage for a program that left the downtown set buzzing with delight.
Through a playful and experimental process, removing and exchanging parts of [their] bodies, Sarah Lisette Chiesa and Brandon Whited question, through movement and the art of performance, about the structure itself and the topography of the human form . . .
Photo: Mauro Farina
The Structure of Us is performance art that beautiful and necessary, never heavy-handed, yet is thought-provoking in its implications for how we relate to each other as individuals and as artists.